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Arts and Arts
[Introduction to the Contents]
The first reason I thought of publishing this book was when one day in 2024, I remembered the poster image of the 1954 film "Godzilla".
At that time, the title logo "Godzilla" came to my mind before the appearance of the monster Godzilla.
I wrote "Godzilla" in extremely thick handwritten katakana.
When I searched on the Internet to confirm the image that came to my mind, I found the poster exactly as I imagined.
On the left side of the poster, it says "Godzilla" vertically.
This original Godzilla film was shown before I was born, and I actually saw the film when I became an adult, but I think that the font of "Godzilla" was preserved in my brain from the time I got to the mind.
I think that the font of "Godzilla" was preserved in my brain from the time I got to the mind.
The font of "Godzilla" godzilla "vertically.
Now, this original Godzilla film was shown before I was born, and I didn't actually see the film when I became an adult, but I think that the font of" Godzilla "was preserved in my brain from the time I remembered it.
The font of" Godzilla "is very simple with red letters and white borders.
Yet these three letters contain fear and destruction.
Isn't this the power of letters?
While keeping that in my mind, I realized once again that most of the letters are positioned as supporting characters and descriptive copies of visual descriptions.
In recent printed materials, I have been aware of the differences between the current printed materials and the Godzilla poster.
The letters in printed materials have evolved into handwriting, type, phototypesetting, and digital fonts.
They are something that has been lost in the shadow of increased productivity.
They are not divisible.
They are organic and emotional.
I don't know what comes from this, but I want to cultivate the stage of the character creators who contributed their works to this book firmly.
I have no idea what comes from this.